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About Exhibition
This documentary photography project explores the transformation of the Molla Fenari Isa Mosque in Istanbul through its changing functions over time, while emphasizing the continuity of its persistent spatial memory.As one of the most significant places of worship of the Ottoman period, the Molla Fenari Isa Mosque holds substantial importance within the history of world architecture. It has been documented as a representative example in leading schools of architecture worldwide and incorporated into academic curricula. Originally constructed as a church during the Byzantine period, the structure was later converted into a mosque in the Ottoman era and continues to function today as an active place of worship.
The photographic sequence begins with exterior views that reveal the building’s relationship with the urban fabric, gradually guiding the viewer inward toward the core of the sacred space. Within the interior, light, architectural voids, the dome, and structural systems are emphasized, while the human figure is employed as a fundamental element that recalls the scale and function of the space.
This project demonstrates how a sacred structure carries a layered memory that accumulates over time. Despite shifting religious practices, the photographs make visible the continuity of stone, light, and spatial voids. While contemporary use often renders this past invisible, the building continues to bear traces of its earlier periods. The articulation of this project serves as a reminder that architectural spaces should be understood not only through their present functions, but also through the historical and cultural memory they embody.
Within the scope of the project, the Molla Fenari Isa Mosque was visited at regular intervals, and historical research on the structure was conducted. Documentary photographs were produced to record that the building was originally constructed as a church during the Byzantine period, later transformed into a mosque in the Ottoman era, and that its architectural integrity was largely preserved throughout this transformation.
The photographic sequence begins with exterior views that reveal the building’s relationship with the urban fabric, gradually guiding the viewer inward toward the core of the sacred space. Within the interior, light, architectural voids, the dome, and structural systems are emphasized, while the human figure is employed as a fundamental element that recalls the scale and function of the space.
This project demonstrates how a sacred structure carries a layered memory that accumulates over time. Despite shifting religious practices, the photographs make visible the continuity of stone, light, and spatial voids. While contemporary use often renders this past invisible, the building continues to bear traces of its earlier periods. The articulation of this project serves as a reminder that architectural spaces should be understood not only through their present functions, but also through the historical and cultural memory they embody.
Within the scope of the project, the Molla Fenari Isa Mosque was visited at regular intervals, and historical research on the structure was conducted. Documentary photographs were produced to record that the building was originally constructed as a church during the Byzantine period, later transformed into a mosque in the Ottoman era, and that its architectural integrity was largely preserved throughout this transformation.
About Artist
Feyza Nur Dişkaya (b. 1990) is an artist and academic whose practice focuses on the relationship between space, memory, and photography. Her work investigates how the built environment can be re-read, represented, and transformed through photographic means. Positioned between space and photography, her practice is shaped around the concepts of spatial perception, layers, perspective, and trace.
She graduated from the Department of Interior Architecture and Environmental Design at Hacettepe University in 2013. She completed her master’s degree in Interior Architecture at Mimar Sinan Fine Arts University in 2017, and received her PhD from the same institution in 2024. She is currently continuing her undergraduate studies in the Department of Photography at Marmara University.
The artist lives and works in Istanbul.
She graduated from the Department of Interior Architecture and Environmental Design at Hacettepe University in 2013. She completed her master’s degree in Interior Architecture at Mimar Sinan Fine Arts University in 2017, and received her PhD from the same institution in 2024. She is currently continuing her undergraduate studies in the Department of Photography at Marmara University.
The artist lives and works in Istanbul.
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